Pérotin: Master of Notre Dame Style Organum (2023)


Pérotin, often referred to as Perotin the Great, stands as a luminary figure in the realm of medieval European music. Flourishing around the close of the 12th century, he earned the esteemed title of "Magister Perotinus," denoting his mastery in the ars antiqua style. As a key figure in the Notre Dame school of polyphony, Pérotin's contributions to the evolution of musical forms have left an indelible mark.

Pérotin's Musical Forms and Style

Pérotin was a pioneer in the development of polyphonic music, specifically in the creation of organa. Unlike earlier monophonic compositions, Pérotin introduced the groundbreaking organum triplum and organum quadruplum, showcasing his prowess in three and four-part polyphony. Notably, works like "Sederunt principes" and "Viderunt Omnes" exemplify his mastery of organa quadrupla.

A distinctive feature of Pérotin's compositional style is the role of the tenor. Derived from the Latin "tenere," meaning "to hold," the tenor carries the Gregorian chant melody, providing a harmonic foundation for additional voices. This innovation laid the groundwork for the intricate layering of voices that became characteristic of Notre Dame style organum.

Pérotin's Works

Anonymous IV attributed four compositions to Pérotin, including the renowned four-voice "Viderunt omnes." Additionally, contemporary scholars recognize nine other works in the organum style. Pérotin's musical legacy is preserved in the Magnus Liber, the "Great Book" of early polyphonic church music, housed in the cathedral of Notre Dame in Paris.

Historical Context

Pérotin's dates of activity are approximately established through late 12th-century edicts of the Bishop of Paris, Eudes de Sully. These edicts mention organum triplum and organum quadruplum, providing a timeline for Pérotin's creative output. His collaboration with poet Philip the Chancellor further solidifies his place in the musical landscape of the time.

Contemporary Critiques

The introduction of polyphony during Pérotin's era sparked diverse opinions. John of Salisbury, a philosopher and Bishop of Chartres, offered a first-hand account of the impact of polyphonic music. He described the harmonies as both enchanting and, when taken to excess, potentially provocative. Despite differing views, Pérotin's music played a crucial role in shaping the musical landscape of the high Middle Ages.


Pérotin's legacy as a master composer of Notre Dame style organum is a testament to his enduring influence on medieval European music. His innovative approach to polyphony, coupled with the rich tapestry of his compositions, cements Pérotin as a central figure in the School of Notre Dame. As we delve into the intricacies of Pérotin's works, we gain a profound understanding of the transformative power of music during this pivotal period in history.


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